"A questo seno" – "Or che il cielo a me ti rende" Scena for soprano and orchestra
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Mozart composed a multitude of arias, scenes, and ensembles. Some of these works originated as substitution pieces for his own operas or those of other composers, written to suit the voices of the particular singers. Occasionally, pieces that Mozart had drafted or even completed did not find the approval of the singers and were replaced before the premiere performance of an opera. In Mozart’s youth, arias also served to showcase his precocious talent and quick comprehension. While traveling on the Grand Tour of Western Europe from 1763–1766, Mozart composed no fewer than 15 arias, followed by at least five more during the trip to Vienna in 1767–1768, and at least six additional examples in 1770–1771 during the first trip to Italy. During his Salzburg years, Mozart otherwise wrote only a small number of arias, presumably for travelling opera troupes during their visits or for travelling virtuosos. Arias or scenes (with an introductory accompanied recitative) were used as concert pieces, as were individual numbers from operas. During the journey to Mannheim and Paris in 1777–1778 and later in Vienna, Mozart composed several arias as favors to particular singers.
Autograph, 1781
Partitur: 13 Bl. (24 beschr. S.)
Abschrift, 1800
Tre/ Duetti/ di/ W. A. Mozart/ per Due Violini
Partitur
Abschrift, 1800
Recitativo/ e/ Aria./ Orche il Cielo etc. etc./ Del Sigre Mozart.
Partitur: 13 Bl.
Abschrift, 1800
Or che il Cielo à me/ 3./ Rondo con Recitativo./ a/ Soprano./ 2. Violini/ 2. Oboe/ 2. Corni in Es/ Viole/ è/ Basso./ Del Sig.re Wolfgango Amadeo Mozart.
Partitur: 35 S.
Abschrift, 1800-1900
Partitur
Abschrift
Rondo con Recitativo/ à/ Voce/ 2: Violini/ 2: Oboe/ 2: Corni in C la f'à/ Viole/ è/ Basso/ Del Sig:re Amadeo Wolfgango Mozart
Partitur
Abschrift
No. 6 et No 7./ Zwey Sopran=Arien. B. Es/ mit Begleitung des ganzen Orchesters/ von W. Amad. Mozart/ Partitur/ Comp: 1789
Partitur: 18 Bl.
Abschrift
|:Orche il cielo:|/ Aria/ Violino Primo./ Streichquartett, 2 Ob. 2 Corni/ Vergl. Koechel No. 374./ Dr. Hkl.
Stimmen: 65 S.
Erstdruck, 1804
[Umschlagtitel:] OPERNGESAENGE/ von/ W.A. Mozart/ welche zu seinen bekannten Opern nicht gehören, sondern von ihm einzeln geschrieben worden sind. / Im Klavierauszug/ von/ C. Schulz./ Zweites Heft. N.o 7-12./ Bei Breitkopf und Härtel in Leipzig./ Pr. 2 Thlr.// [Kopftitel:] SCENE/ A questo seno, deh vieni idolo mio etc. (In meine Arme, komm Liebling meiner Seele etc.)/ von/ W. A. Mozart./ [links:] Die Orchester-Stimmen hierzu/ sind besonders zu haben. [Mitte:] Klavierauszug./ Bei Breitkopf und Härtel, in Leipzig./ Pr. 8 Gr.] [rechts: No. V./ der Mozartschen Arien.]
Klavierauszug: 10 S.
Erstdruck, 1805
A questo seno, deh vieni (In meine Arme komm Liebling etc)/ SCENE von W. A. MOZART. N-o V./ Orchester=Stimmen./ Bey Breitkopf & Härtel in Leipzig _ Preis 8 gl/ 297
Stimmen