Adagio in B flat for 2 clarinets and 3 basset horns
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Adagio in B flat for 2 clarinets and 3 basset horns
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Music for multiple wind instruments experienced a flourishing period in the second half of the 18th century, especially in Bohemia and Vienna. Most compositions of this kind feature three or four pairs of instruments—oboes and/or clarinets, horns, and bassoons. Mozart only had access to clarinets outside of Salzburg. Several compositions have been preserved in two different instrumentations; however, apart from the expansion of K. 375 to include two oboes, it is unclear whether Mozart was involved in both versions. Wind music was commonly used indoors as background music for dining (*table music*), while outdoor performances were typically evening entertainment, such as commissioned works for name day celebrations. In Salzburg, there was also a tradition of pieces scored for flutes, five trumpets, and timpani for the Prince-Archbishop’s court.
Autograph, 1785
di Wolfgango Amadeo Mozart mpr.
Partitur: 3 Bl. (6 beschr. S.)
Abschrift, 1852
[Kopftitel?: ] Adagio für 2 Clarinetten u. 3 Bassethörner comp. von W. A. Mozart 1789.
Partitur
Erstdruck, 1852-1853
ADAGIO/ für/ 2 Clarinetten und 3 Bassethörner/ componirt/ von/ W. A. MOZART/ [links:] Nachgelassenes Werk. [rechts:] Partitur Ausgabe.
Partitur: 8 S.
Frühdruck, 1874
ADAGIO/ fpr/ 2 Clarinetten und 3 Bassethörner/ componirt/ von/ W. A. MOZART/ Nachgelassenes Werk./ (KÖCHEL N.o 411.)
Partitur: 8 S.
Erstdruck
ADAGIO/ für 2 Clarinetten u. Bassethörner/ für Pianoforte zu 4 Händen/ eingerichtet von/ JULIUS ANDRÉ/ und componirt von/ W. A. MOZART.
Klavierauszug: 7 S.
Frühdruck
Partitur
Frühdruck
Compositionen/ von/ W. A. Mozart/ für Harmonium (oder Pianoforte)/ übertragen von Egmont Fröhlich.
Klavierauszug
Frühdruck
ADAGIO/ für/ 2 Violinen, 2 Violas und Violoncell/ eingerichtet nach einem nachgelassenen Werk./ (für 2 Clarinetten u. 3 Bassethörner)/ componirt/ von/ W. A. MOZART
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