"Alma Dei creatoris" Offertory de Beata Maria Virgine in F
sorted in:
In addition to the *Ordinarium* of the Mass, Roman Catholic liturgy required a wide range of musical settings. While the Mass has a standardized text, the texts of smaller sacred works were selected based on the readings for each particular Sunday or feast day. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for specific occasions. With few exceptions, Mozart’s smaller sacred works were composed in Salzburg, though some were written during his travels. These works reflect different traditions and thus display a great deal of variety. Marian antiphons, for example, are hymns addressed to the Mother of God and are assigned to specific times of the liturgical year. In Salzburg, Marian antiphons were more likely performed in special devotions within the Liturgy of the Hours rather than in Vespers services.
Autograph, 1777
Abschrift, 1793
Motetto in F/ pro omni festo Sct. Mariae/ a/ Canto, Alto/ Tenore, Basso/ Violino primo/ Violino secundo/ Corni 2bus/ con Organo/ Auth. Dmo Valfgang Mozart./ Procuravit/ P. BErnardus Piv[onka]/ p. t. Regens Cho[ri].
Stimmen
Abschrift, 1796
Stimmen
Abschrift, 1800
Motetto in F/ de Beata M. V./ a/ Soprano, Alto/ Tenore, Basso/ Violino primo/ Violino secundo/ Violone/ e/ Organo/ Del Sig.re W. A. Mozart
Stimmen: 18 Bl.
Abschrift, 1790-1800
Offertorium [durchgestrichen und darübergeschrieben:] B: V: M:/ a/ Canto, Alto/ Tenore, Basso/ Violino Primo/ Violino Secundo/ Organo et Violone/ De Wolffgango [!] Amadeo Mozart
Stimmen: 18 Bl.
Abschrift, 1800
Stimmen
Abschrift, 1760-1800
Alma Dei/ Offertorium/ De/ B: V: M:/ a/ 4 Voci. conc:/ 2 Violini/ 2 Corni/ e/ Bassi soliti/ Del Sig:re Cav: Amadeo/ Wolfgango Mozart/ Maestro dei Concerti
Stimmen: 33 Bl.
Abschrift, 1800
Offertorium/ de/ Beata virg. MAria/ a/ 4 voci/ 2 Violini/ 3 Trombone/ Due Corni ex F/ Violone con Organo/ e/ Battuta/ Del Sigr. Amadeo Wolfgango/ Mozart./ Ad Chorum Monasterii S. Petri/ hic Salisburgi.
Stimmen: 28 Bl.
Abschrift, 1800
[Kopftitel?: ] Motteto De omni Tempore
Partitur: 24 S.
Erstdruck, 1822
Partitur; Stimmen; Klavierauszug