



Auf die feierliche Johannisloge Song for voice and clavier
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Mozart’s surviving songs mainly date from his Vienna years and were written for private use within his circle friends. According to records of his sister, Maria Anna, Mozart composed only few songs during his Salzburg years. The typical song is a short setting of a strophic poem with keyboard accompaniment, using the same music for every stanza of the text. Mozart also wrote several through-composed songs, which were then usually called German arias rather than songs. The most famous of these is Das Veilchen, KV 476, based on a text by Johann Wolfgang von Goethe. The songs used at meetings of the Freemasons (see work group 31) stand between the solo song and the part-song because the last lines of the text are sung or repeated by a male chorus.
Autograph, 1772
[without original title]
Partitur: 1 Bl.
Abschrift, 1844
18tes Heft/ Lieder für eine Singstimme/ mit Begleitung des Claviers/ componirt von/ Wolfg. Amad. Mozart/ Geb. 1756 + 1791/ (von dessen Originalmanuscript copirt)/ Sptbr. 1844 Aloys Fuchs
Partitur
Abschrift, 1859
[Kopftitel?: ] Lied von W. A. Mozart/ (Nach dem im Mozarteum in Salzburg befindlichen Autograph (Musikalische/ Fragmente n 30) sorgfältig copirt am 24. Juli 1859 von L. R. von Köchel)
Partitur
Abschrift
[Kopftitel?: ] Lied
Partitur
Abschrift
Langsam
Partitur
Frühdruck, 1856
Facsimile/ einer im Archive des Mozarteums zu Salzburg befindlichen Handschrift/ W. A. Mozart's
Partitur