"Ch’io mi scordi di te?" – "Non temer, amato bene" Scena for soprano, clavier and orchestra
sorted in:
Arias, Scenes and Vocal Ensembles
"Ch’io mi scordi di te?" – "Non temer, amato bene" Scena for soprano, clavier and orchestra
sorted in:
Mozart composed a multitude of arias, scenes, and ensembles. Some of these works originated as substitution pieces for his own operas or those of other composers, written to suit the voices of the particular singers. Occasionally, pieces that Mozart had drafted or even completed did not find the approval of the singers and were replaced before the premiere performance of an opera. In Mozart’s youth, arias also served to showcase his precocious talent and quick comprehension. While traveling on the Grand Tour of Western Europe from 1763–1766, Mozart composed no fewer than 15 arias, followed by at least five more during the trip to Vienna in 1767–1768, and at least six additional examples in 1770–1771 during the first trip to Italy. During his Salzburg years, Mozart otherwise wrote only a small number of arias, presumably for travelling opera troupes during their visits or for travelling virtuosos. Arias or scenes (with an introductory accompanied recitative) were used as concert pieces, as were individual numbers from operas. During the journey to Mannheim and Paris in 1777–1778 and later in Vienna, Mozart composed several arias as favors to particular singers.
Autograph, 1786
Partitur: 19 Bl. (37 beschr. S.)
Abschrift, 1790
Non temer amato bene / Rondo Con Recitativo in Eb / a / Soprano. / Piano forte Concertato / Due Violini / Due Clarinetti in B. / Due Viole / Due Corni da Caccia in Eb. / Due Fagotti / e / Basso / Del Sig& Wolfgango Mozart / Bey Hofmusikus Simrock in Bonn.
Partitur
Abschrift, 1790
Non temer amato bene [darunter:] Rondo con Recitativo in Es. / a / Soprano. / Forte Piano Concertat&. / Due Violini. / Due Clarinetti in B. / Due Viole / Due Corni di Caccia in Es. / Due Fagotti. / e / Basso. / Composto dal Sig&. Amadeo Wolfg&. Mozart
Partitur
Abschrift, 1790
Recitativo ed Aria/ Non temer amato bene/ Di W. A. Mozart
Partitur: 24 S.
Abschrift, 1790-1800
Recitativo con Rondo/ |Non temer amato bene|/ Di W. A Mozart.
Partitur
Abschrift, 1800
Scena e Rondo/ a 13 Part./ Due Clarinetti./ Due Corni./ Due Fagotti./ Due Violini./ Due Viole/ Soprano/ Forte-Piano Concertato/ e/ Basso/ del Signore/ W. A. Mozart.
Partitur: 43 S.
Abschrift, 1800
Scena è Rondo/ Non temer amato bene etc./ à 13. p:/ Due Violini/ Due Viole/ Due Clarinetti in B./ Due Corni in Es./ Due Fagotti/ Soprano/ Forte–Piano/ Concertato/ è/ Basso./ Del Sigr: W. A. Mozart.
Stimmen: 42 S.
Erstdruck, 1795
Recitativo e Rondo/ Non temer, amato bene,/ per il/ Soprano e Fortepiano obligato,/ di/ W. A. Mozart./ Lipsia,/ nel magazzino [sic!] di musica di Breitkopf.
Klavierauszug: 16 S.
Erstdruck, 1796
Scelta/ di scene, duetti ed arie/ posti in musica/ dei più celebri maestri/ Offenbach sul Meno0 presso Giov: André./ [Kopftitel:] N.o 11 ... Scena ed Aria del Signore Mozart (Ch’io mi scordi di te?)
Klavierauszug
Frühdruck, 1797-1798
recitativo e rondo. Non temer amato bene, per il soprano e fortepiano oblig.
Klavierauszug