"Ch’io mi scordi di te?" – "Non temer, amato bene" Scena for soprano, clavier and orchestra
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Mozart composed a large number of arias, scenes, and ensembles that were precisely tailored to the voices of the intended singers. Many of these were written as replacement pieces for his own or others’ operas. Occasionally, pieces that Mozart had drafted or even completed were replaced before an opera's premiere because they did not appeal to the performers. Arias or scenes (with introductory accompagnato recitative) were often performed in concerts and academies. In Mozart’s youth, arias also served to showcase his talent and quick grasp of musical expression: during his grand tour of Western Europe alone, he composed 15 arias; during his stay in Vienna in 1767/68, at least five; and during his first trip to Italy, at least six. While in Salzburg, Mozart composed only a small number of arias, likely for members of touring companies staying in the city or for visiting virtuosos. During his journey to Mannheim and Paris, and later in Vienna, he composed several arias as favors for specific singers.
Autograph, 1786
Partitur: 19 Bl. (37 beschr. S.)
Abschrift, 1790
Recitativo ed Aria/ Non temer amato bene/ Di W. A. Mozart
Partitur: 24 S.
Abschrift, 1790
Non temer amato bene / Rondo Con Recitativo in Eb / a / Soprano. / Piano forte Concertato / Due Violini / Due Clarinetti in B. / Due Viole / Due Corni da Caccia in Eb. / Due Fagotti / e / Basso / Del Sig& Wolfgango Mozart / Bey Hofmusikus Simrock in Bonn.
Partitur
Abschrift, 1790
Non temer amato bene [darunter:] Rondo con Recitativo in Es. / a / Soprano. / Forte Piano Concertat&. / Due Violini. / Due Clarinetti in B. / Due Viole / Due Corni di Caccia in Es. / Due Fagotti. / e / Basso. / Composto dal Sig&. Amadeo Wolfg&. Mozart
Partitur
Erstdruck, 1795
Recitativo e Rondo/ Non temer, amato bene,/ per il/ Soprano e Fortepiano obligato,/ di/ W. A. Mozart./ Lipsia,/ nel magazzino [sic!] di musica di Breitkopf.
Klavierauszug: 16 S.
Erstdruck, 1796
Scelta/ di scene, duetti ed arie/ posti in musica/ dei più celebri maestri/ Offenbach sul Meno0 presso Giov: André./ [Kopftitel:] N.o 11 ... Scena ed Aria del Signore Mozart (Ch’io mi scordi di te?)
Klavierauszug
Frühdruck, 1797-1798
recitativo e rondo. Non temer amato bene, per il soprano e fortepiano oblig.
Klavierauszug
Abschrift, 1790-1800
Recitativo con Rondo/ |Non temer amato bene|/ Di W. A Mozart.
Partitur
Abschrift, 1800
Scena e Rondo/ a 13 Part./ Due Clarinetti./ Due Corni./ Due Fagotti./ Due Violini./ Due Viole/ Soprano/ Forte-Piano Concertato/ e/ Basso/ del Signore/ W. A. Mozart.
Partitur: 43 S.
Abschrift, 1800
Scena è Rondo/ Non temer amato bene etc./ à 13. p:/ Due Violini/ Due Viole/ Due Clarinetti in B./ Due Corni in Es./ Due Fagotti/ Soprano/ Forte–Piano/ Concertato/ è/ Basso./ Del Sigr: W. A. Mozart.
Stimmen: 42 S.