Concerto in C
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Between 1773 and 1791, Mozart composed 21 concertos for keyboard and orchestra, two concertos for more than one piano and orchestra (see also work group 14b), and two individual rondo movements. In addition, a considerable number of fragments survive, representing short drafts of concerto movements that Mozart abandoned. The Salzburg concertos were not written specifically for the pianoforte, but the intended keyboard instrument is not indicated since Mozart used the rather nonspecific term “Cembalo” for the solo instrument until 1788, and several types of instruments were available. In Vienna, Mozart became acquainted with the new, technically advanced pianofortes by Gabriel Anton Walter. In performances of the four concertos KV 413–415 and KV 449, the woodwinds are not obligatory. All further concertos employ woodwinds in manifold constellations. Shortly after 1800, all of Mozart’s keyboard concertos (except the Concerto in C, KV 246) were available in printed editions, reflecting their extraordinary popularity. Several concertos were expressly composed for Mozart’s students, particularly Barbara Ployer (KV 449, KV 453, and probably KV 488), or for female virtuosos like Louise-Victoire Jenamy (KV 271) or Maria Theresia Paradis (KV 456). While he usually improvised his own cadenzas and lead-ins, Mozart provided a large number of written cadenzas for his sister and his students (see Anhang G).
Autograph, 1786
Partitur: 55 Bl. (108 beschr. S.)
Abschrift, 1800
IV. N 296/ Mozart W. A./ Concerto i. C./ per il Piano–Forte./ 2 Violini/ Viola/ Flauto, 2 Oboi/ 2 Fagotti/ 2 Corni/ 2 Clarini/ 2 Tympani/ Piano–Forte/ Violone, V–cello
20 Stimmen (ohne clav)
Abschrift, 1800
[Kopftitel?: ] Concert N XIV C dur
Partitur: 171 S.
Abschrift, 1800
Concerto/ Per il Clavicembalo, o Forte Piano/ Coll' accompagnimento de 2 Violini, 1 Flauto, 2 Oboe/ 2 Fagotti, 2 Corni, 2 Clarini, Timpani,/ viole, e Bassi./ Di W: A: Mozart.
Stimmen
Erstdruck, 1797
CONCERTO/ per il/ Clavicembalo o Piano Forte/ composto di/ Wolfgango Amadeo Mozart/ e dedicato/ all'Altezza Reale il Principe/ LUIGI FERDINANDO di PRUSSIA/ per Costanza Mozart/ N=o 1. del retaggio del defunto publicato alle spese della Vedova./ Si trova da tutti buoni mercanti/ di Musicali./ [links:] No. 1415 [rechts:] Prix f 3./ Se trouve chés J. André à Offenbach s/m, [...]
Stimmen
Erstdruck, 1797
CONCERTO/ per il/ Clavicembalo o Piano Forte/ composto di/ Wolfgango Amadeo Mozart/ e dedicato/ all'Altezza Reale il Principe/ LUIGI FERDINANDO di PRUSSIA/ per Costanza Mozart/ N=o 1. del retaggio del defunto publicato alle spese della Vedova./ Si trova da tutti buoni mercanti/ di Musicali.
Stimmen: 57 S.
Frühdruck, 1797
Concert/ pour le/ Clavecin ou Fortepiano./ Composé/ Par/ W. A. Mozart./ Oeuvre posthume No. 1/ Arrangé de manière à pouvoir être exécuté/ à 5 Parties ou grand Orchestre.
Stimmen: 42 S.
Frühdruck, 1800
Stimmen
Frühdruck, 1800
N=o1./ des six grands concertos/ pour le Piano–Forté/ composés par/ W. A. MOZART,/ & respectueusement dédiés/ à S. A. R./ le Prince Louis Ferdinand de Prusse/ par l'editeur./ Oeuvre 82.
Stimmen: 59 S.
Frühdruck, 1802
Partitur