Concerto in F for clavier and orchestra or for clavier and strings
sorted in:
Concerto in F for clavier and orchestra or for clavier and strings
sorted in:
Between 1773 and 1791, Mozart composed a total of 21 concertos for piano and orchestra, two concertos for two or three pianos (see Work Group 14b), and two standalone rondo movements. In addition, there is a considerable number of mostly short fragments of concerto movements that Mozart abandoned. The Salzburg concertos were not yet composed for the fortepiano, and the intended keyboard instrument is not specified; various types of instruments—organ, harpsichord, tangent piano—were available. Up until 1788, Mozart used the general term "harpsichord" (*Cembalo*) for the solo instrument. In Vienna, Mozart became acquainted with the technically advanced fortepianos made by Gabriel Anton Walter. In performances of the four concertos K. 413–415 and K. 449, woodwinds are not mandatory. In all other Viennese concertos, woodwinds are employed in many different configurations. By shortly after 1800, all of Mozart’s piano concertos (except for the Concerto in C, K. 246) had been published, which attests to their extraordinary popularity. Several concertos were specifically composed for Mozart’s female students, especially Barbara Ployer, or for virtuosas such as Louise-Victoire Jenamy and Maria Theresia Paradis. While Mozart usually improvised cadenzas and lead-ins, he wrote out a large number of them for his sister and for his students (see Appendix G).
Autograph, 1782
Partitur: 38 Bl. (74 beschr. S.)
Abschrift, 1782-1783
Concerto Ex F / Clavi Cembalo Principale / Due Violino / Due Oboe / Due Corni. / Viola / é / Basso / Del Sig&: Mozart
Stimmen: 20 Bl.
Erstdruck, 1785
GRAND CONCERT/ pour/ LE CLAVECIN ou FORTE-PIANO/ avec l'accompagnement des deux Violons, Alto,/ et Basse, deux Hautbois, et deux Cors/ composé par/ W. A. MOZART/ Oeuvre IV. Livre [handschriftliche Ziffer:] 2/ Publié a Vienne chez Artaria Comp./ Prix f 2.30./ 41 C. P. S. C. M. 42
Stimmen: 54 S.
Frühdruck, 1785
Second/ concerto/ pour le Clavecin ou le Forte–Piano/ avec Accompagnement/ de deux Violons, Alto, Basse,/ deux Hautbois et deux Cors./ Composé/ par Amedée Mozart
Stimmen
Frühdruck, 1786
Grand concert pour le clavecin ou forte piano
Stimmen
Frühdruck, 1790
Grand Concert/ pour le/ Clavecin ou Forte Piano/ avec L'Accompagnement/ des Plusieurs Instruments/ Composées/ par/ W: A: Mozart
Stimmen
Frühdruck, 1790
Stimmen
Abschrift, 1800
Concerto XII:/ Basso/ Authore Wolf: Amadeo Mozart.
Stimmen: 6 Bl.
Abschrift, 1760-1800
2./ Concerto in F/ pour le/ Piano Forte/ 2 Violini/ 2 Oboe/ 2 Corni/ 2 Fagotti/ Viola/ e/ Basso/ del Sige W. A. Mozart
Klavierstimme: 15 Bl.
Abschrift, 1780-1800
Concerto in F./ per il/ Clavicembalo./ con/ 2. Violini./ 2. Oboe/ 2. Corni/ 2. Fagotti/ Viola/ e/ Basso./ Del Sig.re Wolfgango Mozart.
2x Solostimme und Orchesterstimmen: 62 Bl.