Concerto movement (Rondo) in D for clavier and orchestra
sorted in:
Concertos for Keyboard and Orchestra
Concerto movement (Rondo) in D for clavier and orchestra
sorted in:
Between 1773 and 1791, Mozart composed a total of 21 concertos for piano and orchestra, two concertos for two or three pianos (see Work Group 14b), and two standalone rondo movements. In addition, there is a considerable number of mostly short fragments of concerto movements that Mozart abandoned. The Salzburg concertos were not yet composed for the fortepiano, and the intended keyboard instrument is not specified; various types of instruments—organ, harpsichord, tangent piano—were available. Up until 1788, Mozart used the general term "harpsichord" (*Cembalo*) for the solo instrument. In Vienna, Mozart became acquainted with the technically advanced fortepianos made by Gabriel Anton Walter. In performances of the four concertos K. 413–415 and K. 449, woodwinds are not mandatory. In all other Viennese concertos, woodwinds are employed in many different configurations. By shortly after 1800, all of Mozart’s piano concertos (except for the Concerto in C, K. 246) had been published, which attests to their extraordinary popularity. Several concertos were specifically composed for Mozart’s female students, especially Barbara Ployer, or for virtuosas such as Louise-Victoire Jenamy and Maria Theresia Paradis. While Mozart usually improvised cadenzas and lead-ins, he wrote out a large number of them for his sister and for his students (see Appendix G).
Autograph, 1782
Partitur: 14 Bl. (25 beschr. S.)
Erstdruck, 1785-1786
Premier/ CONCERTO/ Pour le Clavecin, avec Accompagnement/ de deux Violons, Alto, Basse,/ Hautbois, Flûte et Cors ad Libitum./ COMPOSÉ/ PAR AMEDÉE MOZART./ Prix 6.#/ N.o 14. DU JOURNAL DE PIECES DE CLAVECIN,/ PAR DIFFERENS AUTEURS./ Prix de l'Abonnement pour les 12 Numeres 24.# pour Paris et 30.# pour la Province franc de Port./ A PARIS/ Chez M.r Boyer, Rue de Richelieu, à la Clef d'Or, àu Passage de l'ancien Caffé de foy./ Chez Mad.e Le Menu, Rue du Roule, à la Clef d'or.
Stimmen
Frühdruck, 1785-1786
grand/ Concert/ pour de/ Clavecin/ No. 4/ Copié apres le Journal de pieces/ de clavecin de Mr. Boyer à paris/ Composè par/ Mozard/ se vends chez le Sieur Schott/ Graveur de la Cour/ à Mayence./
Stimmen: 39 S.
Frühdruck, 1787
Ariette/ avec Variations/ pour le Clavecin ou Piano Forte/ par W. A. Mozart/
Klavierauszug
Frühdruck, 1792
Collection complette des Variations de Mozart. Nr. 2
Stimmen
Abschrift, 1760-1800
Concerto in D/ à/ Due Violini/ Due Oboe/ Due Corni/ Flauto/ Viola/ Fagotto/ et/ Basso. del Sig: Amad: Mozart.
Stimmen
Abschrift, 1760-1800
[Schreiber 30:] 10./ Concerto/ pour le Pianoforte./ avec grand Orchestre/ del Sigre A. W. Mozart.
Stimmen
Abschrift, 1760-1800
Stimmen
Abschrift, 1760-1800
Stimmen
Abschrift, 1800
Concerto/ v. W. A. Mozart/ Clavicembalo.
Stimmen: 35 S.