KV 621/02
Deh se piacer mi vuoi
621/02
KV 621/02
621/02
Mozart had a particular interest in composing operas. In the 18th century, opera comprised several different traditions, of which only Italian *opera seria* and *opera buffa* had widespread international reach. Mozart was commissioned twice to compose an *opera seria* for Milan, which at the time was still a Habsburg territory on the Italian Peninsula (Mitridate, re di Ponto, K. 87 and Lucio Silla, K. 135); Idomeneo, re di Creta, K. 366 and La clemenza di Tito, K. 621 are later examples of this genre, which was ultimately abandoned around 1800. Three other works (K. 111, K. 126, and K. 208) were festive pieces, so-called serenatas, composed for a single performance on a special occasion.
After 1780, German opera gradually established itself in the German-speaking world. In 1781/82, Die Entführung aus dem Serail, K. 384 was created as part of a short-lived initiative by Emperor Joseph II to promote the German *Singspiel* (with spoken dialogue instead of *secco* recitatives) through what was known as the National Singspiel. Three *opere buffe* based on librettos by the Viennese court poet Lorenzo da Ponte – Le nozze di Figaro, K. 492, Don Giovanni, K. 527, and Così fan tutte, K. 588 – earned Mozart international acclaim. The Magic Flute, K. 620 was written for a successful suburban theater in Vienna, where Emanuel Schikaneder included more serious pieces alongside the usual comic repertoire.
Abschrift, 1800
Clementia [?di?] Tito./ Aria in G:/ Deh se piacer mi vuoi:|/ Voce e Clavi Cembalo/ Del Sig. Mozart/ Cl. de. G.
Klavierauszug
Abschrift, 1800
Aria/ per il/ Soprano./ Due Violini./ Due Viole./ Due Flauti./ Due Fagotti./ Due Corni. in G./ e/ Basso./ del Sig.re Mozart.
Stimmen
Abschrift, 1800
Aria/ Deh se piacer mi vuoi/ dell'Opera/ La Clemenza di Tito/ per Soprano, Vitellia/ Due Violini/ Due Viole/ Due FLauti/ Due Fagotti/ Due Corni in G/ Violoncello/ e/ Basso/ del Sign. Mozart.
Stimmen
Abschrift, 1800
Aria/ Deh se piacer mi vuoi/ dell'Opera: Tito./ di/ Mozart
Partitur: 15 Bl.
Abschrift, 1800
Aria dell'Opera Clemenza di Tito/ del Sig. Mozart.
Partitur: 9 S.
Abschrift, 1790-1800
Aria in A:/ dell'opera/ La Clemenza di Tito/ a/ Soprano/ Due Violini/ Viola/ Due Flauti/ Due Fagotti/ Due Corni/ Del Sigr Wolfgang Am. Mozart
Stimmen
Abschrift, 1830
Aria/ à/ Tenore Solo/ Violinis 2/ Flauti 2/ Corni 2/ Fagotti 2/ Viola/ e/ Basso.
Stimmen
Abschrift
Aria in A/ Canto Solo/ Duo Violini./ Duo Flauti/ Duo Corni/ Alto Viola/ con/ Organo./ Auth. Mozart./ Ad me/ Johann Nep. Lauder./ in Wartberg
Stimmen
Abschrift
Aria in G a Soprano a Violino Primo et Secondo, Flauto Primo et Secondo,/ Fagotto Primo et Secondo, Corno Primo et Secondo, Viola e Basso con/ Violoncello Del Sigre A. W. Mozart. Deh se piacer mi vuoi.
Partitur
Abschrift
Aria in G dell'opera La Clemenza di Tito Del Sigre A. W. Mozart.
Partitur