Die betrogene Welt Song for voice and clavier
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Mozart’s surviving songs mainly date from his Vienna years and were written for private use within his circle friends. According to records of his sister, Mozart composed only few songs during his Salzburg years. The typical song is a short setting of a strophic poem with keyboard accompaniment, using the same music for every stanza of the text. Mozart also wrote several through-composed songs, which were then usually called German arias rather than songs. The most famous of these is Das Veilchen, KV 476, based on a text by Johann Wolfgang von Goethe. The songs used at meetings of the Freemasons (see work group 31) stand between the solo song and the part-song because the last lines of the text are sung or repeated by a male chorus.
Autograph, 1785
[2v:] pag: 29./ 3)./ Die betrogene Welt
Partitur: 2 Bl. (4 beschr. S.)
Erstdruck, 1799
[Reihentitel:] Oeuvres de Mozart./ Cahier V./ contenant/ Trente Airs et Chansons/ pour le Pianoforte. [Umschlagtitel:] OEUVRES COMPLETTES/ de/ Wolfgang Amadeus Mozart/ Au Magasin de Musique de Breitkopf & Härtel/ à Leipsic. [Bandtitel:] XXX Gesänge/ mit/ Begleitung des Pianoforte/ von/ W. A. Mozart./ In der Breitkopf- und Härtelischen Musikhandlung/ in Leipzig./ V.
Partitur
Frühdruck, 1800
XII./ Deutsche Lieder/ mit/ Clavierbegleitung/ von/ W. A. Mozart./ 2te Sammlung.
Partitur
Frühdruck, 1808-1812
XXX Gesänge/ mit Begleitung des Pianoforte/ von/ W. A. Mozart.
Partitur
Frühdruck, 1818
Gesänge und Lieder/ mit Begleitung des Pianoforte/ von/ W. A. Mozart
Partitur
Frühdruck, 1825-1826
[Reihentitel:] Oeuvres Complettes/ de/ Wolfgang Amadeus Mozart/ Au Magasin de Musique de Breitkopf & Härtel/ a Leipsic. [Bandtitel:] XXX Gesaenge/ mit Begleitung des Pianoforte/ von/ W. A. Mozart./ Chez Breitkopf & Härtel à Leipsic
Partitur: 5 S.
Frühdruck
31 Lieder
Partitur