

KV Anh. A 22
Georg Reutter d. J., "De profundis clamavi“ HofR 143/123
Motette in c (Fragment)
Anh. A 22



KV Anh. A 22
Motette in c (Fragment)
Anh. A 22
Georg Reutter d. J., "De profundis clamavi“ HofR 143/123
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The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph
[Kopftitel:] De profundis. [Henkel:] von W. A. Mozart
Partitur: 4 S.
Abschrift, 1757
Titelseite: Vesperae/ De profundis et Memento Domine./ Del SIg:re Giorgio de Reüttern
26 Stimmen
Abschrift, 1803
De Profundis von W. A. Mozart
Partitur: 1 Doppel-Bl. (4 beschr. S.)
Abschrift, 1840
Psalms [S, caption title S:] De Profundis [rrechts:] W. A. Mozart
2 Stimmen
Frühdruck, 1817
DE PROFUNIDS/ à quatre Voix et Basse seule
Frühdruck, 1828
De profundis/ für SOpran, Alt, Tenor u. Baß
Frühdruck
W. A. MOZART/ De Profundis/ für/ Sopran, Alt, Tenor und Bass/ mit Begleitung des Pianoforte/ Berlin, bei T: Trautwein./ Pr: 6 gr:
Klavierauszug: 3 Bll.