"Mia speranza adorata!" – "Ah non sai qual pena sia" Scena for soprano and orchestra
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Mozart composed a multitude of arias, scenes, and ensembles. Some of these works originated as substitution pieces for his own operas or those of other composers, written to suit the voices of the particular singers. Occasionally, pieces that Mozart had drafted or even completed did not find the approval of the singers and were replaced before the premiere performance of an opera. In Mozart’s youth, arias also served to showcase his precocious talent and quick comprehension. While traveling on the Grand Tour of Western Europe from 1763–1766, Mozart composed no fewer than 15 arias, followed by at least five more during the trip to Vienna in 1767–1768, and at least six additional examples in 1770–1771 during the first trip to Italy. During his Salzburg years, Mozart otherwise wrote only a small number of arias, presumably for travelling opera troupes during their visits or for travelling virtuosos. Arias or scenes (with an introductory accompanied recitative) were used as concert pieces, as were individual numbers from operas. During the journey to Mannheim and Paris in 1777–1778 and later in Vienna, Mozart composed several arias as favors to particular singers.
Autograph, 1783
Autograph, 1783
Recitativo con Rondo [links:] per la Sig. Lange [rechts:] die Wolfgango Amadeo Mozart/ in viena. li 8 di genaio 1783
Partitur: 10 Bl.
Abschrift, 1783
Partitur
Abschrift, 1790
Recitativo, con Rondo/ pel/ Soprano Ah non sai/ accompagn/ con/ Due Violini/ Due Viole/ Due Oboe/ Due Fagotti/ Due Corni in B.fa/ e/ Basso/ Del Sig Volfgang Amad Mozart
11 Stimme(n) Sammeltitel
Abschrift, 1790-1810
Aria del Sig:r W: A: Mozart.
Partitur: 15 Bl. [29 beschr. S.] Sammeltitel
Abschrift
Recitativo con Rondo/ per la Sign. Lange/ da/ Wolfgango Amadeo Mozart/ in Vienna/ li 8 di gennaio 1783./ Copirt nach dem Autograph aus der/ Königl. Bibliothek in Berlin
Partitur
Abschrift
No 4/ Recitativo ed Aria/ Bdur/ per il Soprano con Accomp:/ d'Orchestra./ di/ W. Amadeo Mozart.
Partitur: 30 S.
Abschrift
Addio Zemire/ Recit.vo con Rondo/ Violino Primo
Stimmen
Erstdruck, 1804
[Umschlagtitel:] OPERNGESAENGE/ von/ W. A. Mozart/ welche zu seinen bekannten Opern nicht gehören, sondern von ihm einzeln/ geschrieben worden sind./ Im Klavierauszug/ von/ C. Schulz./ Erster [!] Heft N.o 1-6./ Bei Breitkopf und Härtel in Leipzig/ Pr. 2 Thlr./ ARIE/ Mia speranza adorata etc. (Ach sie stirbt, meine Hoffnung etc.)/ von/ W. A. Mozart./ [links: ] Die Orchester-Stimmen hierzu/ sind besonders zu haben. [Mitte: Klavierauszug./ Bei Breitkopf und Härtel, in Leipzig./ Pr. 8 Gr.] [rechts: ] No. I./ der Mozartschen Arien.
Klavierauszug: 10 S.
Erstdruck, 1805
Mia speranza adorata etc. (Ach sie stirbt, meine etc.)/ ARIE von W.A. MOZART. N.=o I./ Orchester Stimmen/ i0 Bei Breitkopf & Härtel in Leipzig Preis 12 gg
Stimmen