"Misera, dove son! L’aure del Tebro" – "Ah non son io che parlo" Scena for soprano and orchestra
sorted in:
"Misera, dove son! L’aure del Tebro" – "Ah non son io che parlo" Scena for soprano and orchestra
sorted in:
Mozart composed a large number of arias, scenes, and ensembles that were precisely tailored to the voices of the intended singers. Many of these were written as replacement pieces for his own or others’ operas. Occasionally, pieces that Mozart had drafted or even completed were replaced before an opera's premiere because they did not appeal to the performers. Arias or scenes (with introductory accompagnato recitative) were often performed in concerts and academies. In Mozart’s youth, arias also served to showcase his talent and quick grasp of musical expression: during his grand tour of Western Europe alone, he composed 15 arias; during his stay in Vienna in 1767/68, at least five; and during his first trip to Italy, at least six. While in Salzburg, Mozart composed only a small number of arias, likely for members of touring companies staying in the city or for visiting virtuosos. During his journey to Mannheim and Paris, and later in Vienna, he composed several arias as favors for specific singers.
Autograph, 1781
Scena
Partitur: 12 Bl. (24 beschr. S.)
Abschrift, 1785-1790
Aria Con Recitativo in Es. / [daneben:] Ah non Son io, che parlo [darunter:] a / Soprano / Due Violini / Due Flauti / Due Corni di Caccia in Es. / Due Viole. / con / Basso. / di Amadeo Wolfgango Mozart.
Partitur
Abschrift, 1785-1790
Stimmen
Erstdruck, 1805
[Umschlagtitel:] OPERNGESAENGE/ von/ W.A. Mozart/ welche zu seinen bekannten Opern nicht gehören, sondern von ihm einzeln geschrieben worden sind. / Im Klavierauszug/ von/ C. Schulz./ Zweites Heft. N.o 7-12./ Bei Breitkopf und Härtel in Leipzig./ Pr. 2 Thlr. [Kopftitel:] SCENE/ Misera! dove son etc. (Wehe mir! ach wo bin ich etc.)/ von/ W. A. Mozart./ [links: Die Orchester-Stimmen hierzu/ sind besonders zu haben.] [Mitte: Klavierauszug./ Bei Breitkopf und Härtel, in Leipzig./ Pr. 8 Gr.] [rechts: No. 7./ der Mozartschen Arien.]
Klavierauszug: 10 S.
Erstdruck, 1805
Misera! dove son etc (Wehe mir! ach wo bin ich! etc.)/ SCENE von W. A. MOZART N=o VII:/ Orchester=Stimmen/ Bey Breitkopf & Härtel in Leipzig Preis 12 g/ 299
Stimmen
Abschrift, 1837
Aria. in es./ per il Soprano con Orchestra/ „Misera! dove son“/ di/ Wolfg. Am: Mozart./ Partitura
Partitur: 29 S.
Abschrift
|:Aria con Recitativo in Es:|/ à/ Voce/ 2. Violini/ 2. Flauti/ 2. Corni/ 2. Viole/ con/ Basso./ Del Sig. Amadeo Wolfgango Mozart.
Partitur
Abschrift
[Georg Poelchau:] VI auserlesene Scenen und Arien etc. von Mozart in Part.: [Kopftitel?:] [Georg Poelchau:] Es #/ Scena di Mozart.
Partitur
Abschrift
[Kopftitel?: ] [Von unbekannter Hand:] |:Scena:| [WAM:] di Wolfgango Amadeo Mozart/ Monaco li 8 di Marzo 1781
Partitur: 24 S.
Abschrift
Recitativo ed Aria in Eb. / /:Ah non son io, che parlo :/ / Di Amadeo Wolffg: Mozart.
Partitur: 31 Bl. [ beschr. S.] 9 Stimme(n)