"Misera, dove son! L’aure del Tebro" – "Ah non son io che parlo" Scena for soprano and orchestra
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"Misera, dove son! L’aure del Tebro" – "Ah non son io che parlo" Scena for soprano and orchestra
sorted in:
Mozart composed a multitude of arias, scenes, and ensembles. Some of these works originated as substitution pieces for his own operas or those of other composers, written to suit the voices of the particular singers. Occasionally, pieces that Mozart had drafted or even completed did not find the approval of the singers and were replaced before the premiere performance of an opera. In Mozart’s youth, arias also served to showcase his precocious talent and quick comprehension. While traveling on the Grand Tour of Western Europe from 1763–1766, Mozart composed no fewer than 15 arias, followed by at least five more during the trip to Vienna in 1767–1768, and at least six additional examples in 1770–1771 during the first trip to Italy. During his Salzburg years, Mozart otherwise wrote only a small number of arias, presumably for travelling opera troupes during their visits or for travelling virtuosos. Arias or scenes (with an introductory accompanied recitative) were used as concert pieces, as were individual numbers from operas. During the journey to Mannheim and Paris in 1777–1778 and later in Vienna, Mozart composed several arias as favors to particular singers.
Autograph, 1781
Scena
Partitur: 12 Bl. (24 beschr. S.)
Abschrift, 1785-1790
Aria Con Recitativo in Es. / [daneben:] Ah non Son io, che parlo [darunter:] a / Soprano / Due Violini / Due Flauti / Due Corni di Caccia in Es. / Due Viole. / con / Basso. / di Amadeo Wolfgango Mozart.
Partitur
Abschrift, 1785-1790
Stimmen
Abschrift, 1837
Aria. in es./ per il Soprano con Orchestra/ „Misera! dove son“/ di/ Wolfg. Am: Mozart./ Partitura
Partitur: 29 S.
Abschrift
|:Aria con Recitativo in Es:|/ à/ Voce/ 2. Violini/ 2. Flauti/ 2. Corni/ 2. Viole/ con/ Basso./ Del Sig. Amadeo Wolfgango Mozart.
Partitur
Abschrift
[Georg Poelchau:] VI auserlesene Scenen und Arien etc. von Mozart in Part.: [Kopftitel?:] [Georg Poelchau:] Es #/ Scena di Mozart.
Partitur
Abschrift
[Kopftitel?: ] [Von unbekannter Hand:] |:Scena:| [WAM:] di Wolfgango Amadeo Mozart/ Monaco li 8 di Marzo 1781
Partitur: 24 S.
Abschrift
Recitativo ed Aria in Eb. / /:Ah non son io, che parlo :/ / Di Amadeo Wolffg: Mozart.
Partitur: 31 Bl. [ beschr. S.] 9 Stimme(n)
Erstdruck, 1805
[Umschlagtitel:] OPERNGESAENGE/ von/ W.A. Mozart/ welche zu seinen bekannten Opern nicht gehören, sondern von ihm einzeln geschrieben worden sind. / Im Klavierauszug/ von/ C. Schulz./ Zweites Heft. N.o 7-12./ Bei Breitkopf und Härtel in Leipzig./ Pr. 2 Thlr. [Kopftitel:] SCENE/ Misera! dove son etc. (Wehe mir! ach wo bin ich etc.)/ von/ W. A. Mozart./ [links: Die Orchester-Stimmen hierzu/ sind besonders zu haben.] [Mitte: Klavierauszug./ Bei Breitkopf und Härtel, in Leipzig./ Pr. 8 Gr.] [rechts: No. 7./ der Mozartschen Arien.]
Klavierauszug: 10 S.
Erstdruck, 1805
Misera! dove son etc (Wehe mir! ach wo bin ich! etc.)/ SCENE von W. A. MOZART N=o VII:/ Orchester=Stimmen/ Bey Breitkopf & Härtel in Leipzig Preis 12 g/ 299
Stimmen