"O du eselhafter Martin (Jakob)" Canon in G for 4 equal voices FIRST VERSION
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"O du eselhafter Martin (Jakob)" Canon in G for 4 equal voices FIRST VERSION
sorted in:
Canons are short musical settings arranged in such a manner that the same melody is sung by several voices that enter one after other at an interval of several measures. Most of Mozart’s canons originated in Vienna where they played an important role in private circles. It appears likely that Mozart occasionally wrote the texts of these canons himself. Textless canons and canons with Latin texts also served as means to teach counterpoint and to display contrapuntal skills (see Anhang H).
Autograph, 1788
[without original title]
Partitur; Kanon-Stimme: 1 Bl.: 1 S.
Abschrift
[Kopftitel:] Canone [right:] W. A. Mozart
1 Stimme(n)
Abschrift, 1799
Mozart und seine Diener./ Del Signo [durchgestrichen:] Michael Haydn./ Mozart (vide Köchel)/ Joseph Höpfl/ 1799 [Kopftitel?:] Canone à 4
Stimmen
Abschrift, 1800
[Kopftitel?: ] 8. Canon à 4. Sture Philister an Fortuna v. Weiße. di Mozart [so RISM]
Partitur
Abschrift, 1800
Mozart und sein Diener. (Canon f. 4 Stimm.)/ Canon.
Partitur: 1 Bl.
Abschrift, 1800
Canone a 4me [!]/ O du eselhafter Martin
Partitur: 3 S.
Abschrift, 1800
Partitur; Stimmen
Abschrift, 1790-1800
Stimmen
Abschrift, 1760-1800
[Kopftitel?: ] Canon von Mozart
Stimmen
Abschrift, 1790-1800
[Kopftitel?: ] Mozart vor seinen Diener
Stimmen