KV 621/00
Ouverture
621/00
KV 621/00
621/00
Mozart had a particular interest in composing operas. In the 18th century, opera comprised several different traditions, of which only Italian *opera seria* and *opera buffa* had widespread international reach. Mozart was commissioned twice to compose an *opera seria* for Milan, which at the time was still a Habsburg territory on the Italian Peninsula (Mitridate, re di Ponto, K. 87 and Lucio Silla, K. 135); Idomeneo, re di Creta, K. 366 and La clemenza di Tito, K. 621 are later examples of this genre, which was ultimately abandoned around 1800. Three other works (K. 111, K. 126, and K. 208) were festive pieces, so-called serenatas, composed for a single performance on a special occasion.
After 1780, German opera gradually established itself in the German-speaking world. In 1781/82, Die Entführung aus dem Serail, K. 384 was created as part of a short-lived initiative by Emperor Joseph II to promote the German *Singspiel* (with spoken dialogue instead of *secco* recitatives) through what was known as the National Singspiel. Three *opere buffe* based on librettos by the Viennese court poet Lorenzo da Ponte – Le nozze di Figaro, K. 492, Don Giovanni, K. 527, and Così fan tutte, K. 588 – earned Mozart international acclaim. The Magic Flute, K. 620 was written for a successful suburban theater in Vienna, where Emanuel Schikaneder included more serious pieces alongside the usual comic repertoire.
Abschrift, 1800
Ouverture aus Titus
Stimmen
Abschrift, 1800
Ouverture/ zu der Oper/ Titus/ von/ W. A. Mozart
Partitur: 20 S.
Abschrift, 1800
Ouverture in C./ de l'opera la Clemenza/ di Tito/ à/ Violino Primo/ Violino 2do/ 2. Flauti/ 2. Oboe./ 2. Fagotti/ 2. Corni/ 2. Clarini./ Timpani./ Viole/ e/ Basso./ de Mozart./ in Stimmen gesetzt von/ Heinrich Marchand.
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Abschrift, 1790-1800
La Clemenza di Tito Sinfonia Del M Mozart
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Abschrift, 1810
Ouvertura in C/ de l'Opera/ La Clemenza di Tito/ a/ Grand Orchestre./ Compos. Mons. W. A. Mozart./ Wenzeslav Korbelius./ [durchgestrichen:] Doctor Unterweger./ Am 7. Julius 1844 vom Herrn Korbelius/ verehrt erhalten./ Seidl
Stimmen
Abschrift, 1810
Ouverture/ del opera/ la Clemenza di Tito/ del Sigr: Wolfgango Amadeo Mozart/ Aggiustata per il Piano Forte/ di A. E. Müller
Klavierauszug: 4 Bl.
Abschrift, 1810
Sinfonia/ a/ 2 Flauti/ Oboe/ Clarinetti B/ Fagotti/ Corni/ Clarini/ Timpani/ Viole/ Violoncelli/ BAsso/ del S:/ W. A. Mozart/ della Clemenza di Tito
Stimmen
Abschrift, 1800-1810
La Clemenza/ di/ Tito/ De/ Mozarth
Klavierauszug: 3 Bl.
Abschrift, 1820
[kein Titel]
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Abschrift, 1836
Ouverture in C/ de l'opera Titus/ con/ Violino Imo, Violino IIdo/ Viola Basso et Organo/ Mozart/ ad Chorum/ vallis Dominarum/ diem 7 Februarii/ Anno 1836
Stimmen