


Regina coeli in B flat Antiphon
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The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph, 1772
Regina Coeli
Partitur: 20 Bl.
Abschrift, 1770-1780
Regina Coeli/ a/ 4 Voci conc./ 2 Violini/ 2 Oboi/ 2 Clarini/ Timpani/ e/ Bassi Soliti/ Del Sigre. Caval. Amadeo Wolfgango Mozart
Stimmen
Abschrift, 1767-1783
Stimmen
Abschrift, 1772-1800
Stimmen
Abschrift, 1760-1800
Stimmen
Abschrift, 1760-1800
Stimmen: 46 Bl.
Abschrift, 1800-1830
Partitura./ grande/ Regina coeli./ a/ 4 Voci,/ due Violini, due Viole, due Oboi, due Corni,/ BAssi et Organo./ par/ Wolfgango Amadeo Mozart.
Partitur: 57 S.
Abschrift, 1840
Partitur
Abschrift, 1853-1859
[Kopftitel?: ] Regina Coeli./ del Sgr: Caval: Amadeo Wolfgango/ Mozart. 1772
Partitur: 21 Bl.
Frühdruck, 1823
Cantate/ „Ewiger erbarme dich“/ Für vier Singstimmen/ von W. A. Mozart./ Im Clavierauszuge von C. Zulehner.
Klavierauszug: 26 S.