Regina coeli in C Antiphon
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The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph, 1779
Abschrift, 1777
Regina coeli. Mozart
Partitur (10 Bl., 17 beschr. S.)
Abschrift, 1790-1800
[Kopftitel?: ] [Partitur:] Chorus, Mozard [Stimmen:] Chorus
Partitur: 12 Bl.; Stimmen: 8 Bl.
Abschrift, 1760-1800
Stimmen
Abschrift, 1800
Stimmen
Abschrift, 1790-1800
Regina Coeli/ a/ Canto Alto/ Tenore Basso/ Violinis 2bus/ Due Oboe/ Due Clarinis/ Tympano/ Violone et Organo/ Del Wolfgango Amadeo Mozart
Stimmen: 29 Bl.
Abschrift, 1820
Regina Coeli in C/ a/ 4 Voci/ 2 Violini/ 2 Oboi/ 2 Clarini/ Timpani/ con Organo et Violone/ Del Sign. Wolfg. Am. Mozart/ Fügerl
Stimmen: 27 Bl.
Abschrift, 1823
Regina coeli in C/ a/ 4 voc., 2 Violinis 2 Obois/ 2 Clarinis/ Tympanis in C et G/ Violone et Organo/ Auth. D. W. A. Mozart/ comp P. henricus/ 1823
Stimmen: 29 Bl.
Abschrift, 1830
Partitura./ Regina Coeli,/ a/ 4. Voci,/ 2 Violini, Viola, 2 Oboi, 2 Clarini, Timpani,/ Bassi et Organo./ par/ W. A. Mozart.
Partitur: 17 Bl. (33 beschr. S.)
Abschrift, 1850
Regina coeli/ a 4 voci, 2 Violini, Viola, 2 Oboi/ 2 Clarini, Tympani, Violone/ con Organo/ Del Sig. W. A. Mozart
Partitur