"Sancta Maria, Mater Dei" Gradual in F
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The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph, 1777
Sancta Maria
Partitur
Abschrift, 1800
Offertorium/ de/ B. M. V./ |: Sancta Maria :|
Partitur: 12 Bl.
Abschrift, 1790-1800
Offertorium in F./ De/ B: V: Maria./ a/ 4. Voc:/ Canto/ Alto/ Tenore/ Basso/ Due Violini/ Viola/ con/ Organo./ Del Sig: Amadeo Wolfgango/ Mozart.
Stimmen
Abschrift, 1790-1800
Offertorium/ de/ Sancta Maria/ a/ Soprano Alto/ Tenore Basso/ Violino primo e secondo/ Organo con Violone/ Auth. Sigre Wolfgango Mozartt [!] requiescat in pace/ B. F. D.
Stimmen: 14 Bl.
Abschrift, 1790-1800
Offertorium/ de Beata/ a/ 4 voci/ in pieno/ 2bus Violinis/ Alto Viola/ con/ Organo e Violone/ Del Sig.re Wolfgango Mozart/ Partes 9
Stimmen: 16 Bl.
Abschrift, 1790-1800
Toni F/ Offertorium/ De Beatissima Virgine Maria/ a/ Canto/ Alto/ Tenore/ Basso/ 2 Violini/ Viola obligata/ Violone/ et/ Organo./ Del. Sig:/ Wolfgango Amadeo Mozarth.
Stimmen: 16 Bl.
Abschrift, 1790-1800
Sancta Maria/ à/ 4 Vocibus/ 2 Violinis/ Viola obligata/ con/ Organo/ Auth: Mozart/ Ad chorum M
Stimmen: 8 Bl.
Abschrift, 1760-1800
[Bischofreiter und Schreiber 25:] Sancta Maria./ a/ 4 Voci,/ 2 Violini,/ 2 Violini,/ Viola el' Organo con Violone,/ 2 Cornis ex F./ Beatiss.mae Deiparae Virgini sine labe conceptae./ Wolfgangus Amadeus Mozartus/ aurate militiae Wques, Bononiensis/ Veronensisque inter Magistros/ compositores Accademicus./ 9 Sept. 1777./ Ad chorum Monasterii/ S. Petrens. Salisburgi./ Armarium III. class. B Num. 37./ H. I
Stimmen: 8 Bl.
Abschrift, 1800-1810
Stimmen
Erstdruck, 1786
Variations/ pour/ le Forte–piano, ou Clavecin/ a quatres Mains/ par M.r/ W. A. MOZART/ à Vienne chez Hoffmeister
Stimmen: 16 S.