by Internationale Stiftung Mozarteum

KV Anh. H 9,06

Sketch sheet 1772a (12) = Sk 1772h: = K.3 Appendix 109d (1. piece) Riddle canon “Cantate Domino” by Padre Martini (Storia I, 53), four-part resolution sketch

Anh. H 9,06

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Ludwig von Köchel & the Köchel Catalog

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KV Anh. H 9,06

Sketch sheet 1772a (12) = Sk 1772h: = K.3 Appendix 109d (1. piece) Riddle canon “Cantate Domino” by Padre Martini (Storia I, 53), four-part resolution sketch

Anh. H 9,06

KV Anh. H 9,05

KV Anh. H 9,07

Sketch sheet 1772a (12) = Sk 1772h: = K.3 Appendix 109d (1. piece) Riddle canon “Cantate Domino” by Padre Martini (Storia I, 53), four-part resolution sketch

sorted in:

Canons

KV Anh. H 9,05

Sketch sheet 1772a (14) = Sk 1772j: Riddle canon “Cantabo Domino in vita mea” by Padre Martini (Storia I, 164), four-part resolution sketch

KV Anh. H 9,07

Ter ternis canite vocibus [Storia I, 8]

Canons

Belonging to

Skizzenblatt 1772a

Status

Authenticity: verified

Transmission: extant

Completed work

Dating

1772

Other Work Numbers

Sk 1772h, Skb 1772a/12, KV² Anh. 109d, KV⁶ 73x/04

Persons

GBM

Giovanni Battista Martini

Composer

WAM

Wolfgang Amadé Mozart

Arranger

About Canons

Canons are short musical compositions designed so that the same melody is sung by multiple voices at staggered intervals. Most of Mozart’s canons were composed in Vienna, where there was a strong tradition of private music-making. It appears that Mozart occasionally wrote the texts for these himself. Canons without text and those with Latin texts were also used in counterpoint instruction (see Appendix H).

Work Relations

Part of

Publications

Sources

Autograph, 1772

Partitur: 2 Bl. (4 beschr. S.)

Neue Mozart-Ausgabe

X/30/3: Skizzen; Konrad, Ulrich (1998)

Neue Mozart-Ausgabe

X/31/4: Nachträge: Einzelstücke, Skizzen, Varia; Konrad, Ulrich; Leisinger, Ulrich (2099)

KV Anh. H 9