by Internationale Stiftung Mozarteum

KV Anh. H 9,23

Sketch sheet 1772γ (3) = Sk 1772e: Riddle canon “Psallite Domino” by Padre Martini (Storia l, 14), Four-part resolution sketch

Anh. H 9,23

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Ludwig von Köchel & the Köchel Catalog

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KV Anh. H 9,23

Sketch sheet 1772γ (3) = Sk 1772e: Riddle canon “Psallite Domino” by Padre Martini (Storia l, 14), Four-part resolution sketch

Anh. H 9,23

KV Anh. H 9,22

KV Anh. H 9,24

Sketch sheet 1772γ (3) = Sk 1772e: Riddle canon “Psallite Domino” by Padre Martini (Storia l, 14), Four-part resolution sketch

sorted in:

Canons

KV Anh. H 9,22

Sketch sheet 1772a (13) = Sk 1772i: Riddle canon “Omnis terra adoret te” by Padre Martini (Storia I, 74), four-part resolution sketch

KV Anh. H 9,24

Four-part double canon “Regna terrae” (Title “Canon decrescit eando”) [Storia I, 75]

Canons

Belonging to

Skizzenblatt 1772γ

Status

Authenticity: verified

Transmission: extant

Completed work

Dating

Salzburg, 1772

Other Work Numbers

Sk 1772e, Skb 1772γ/03, KV³ Anh. 109 IIa, a, KV⁶ Anh. A 32

Persons

GBM

Giovanni Battista Martini

Composer

WAM

Wolfgang Amadé Mozart

Arranger

Music Key

F major

About Canons

Canons are short musical compositions designed so that the same melody is sung by multiple voices at staggered intervals. Most of Mozart’s canons were composed in Vienna, where there was a strong tradition of private music-making. It appears that Mozart occasionally wrote the texts for these himself. Canons without text and those with Latin texts were also used in counterpoint instruction (see Appendix H).

Work Relations

Part of

Publications

Sources

Autograph, 1772

Abschrift

Canon ad tonum infra

Partitur

Neue Mozart-Ausgabe

X/30/3: Skizzen; Konrad, Ulrich (1998)

Neue Mozart-Ausgabe

X/31/4: Nachträge: Einzelstücke, Skizzen, Varia; Konrad, Ulrich; Leisinger, Ulrich (2099)

Skb 1772gamma

Sketch sheet 1772γ