Sonata in C for clavier and violin
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Mozart had a particular fondness for the sonata for piano and violin. These works also played a significant role in shaping his reputation as a composer, as almost all of the violin sonatas were published during his lifetime. The earliest compositions date from the grand tour of Western Europe and were published in Paris when Mozart was just eight years old. The latest were composed in the late 1780s. In the 18th century, the violin parts of Mozart’s sonatas were considered refined and demanding, although—with a few exceptions, such as the Sonata in B-flat, K. 454, written for the violin virtuoso Regina Strinasacchi—the keyboard instrument clearly remains at the forefront. In Vienna, Mozart also published two sets of variations for piano and violin (K. 359 and K. 360).
Autograph, 1764
Erstdruck, 1764
SONATES/ POUR LE CLAVECIN/ Qui peuvent se jouer avec l'Accompagnement de Violon/ DEDIÉES/ A MADAME VICTOIRE/ DE FRANCE/ Par J. G. Wolfgang Mozart de Salzbourg/ Agé de Sept ans./ OEUVRE PREMIERE./ Prix [handschriftlich:] 4 Liv: 4 S:/ Gravées par Mme Vendôme Ci-devant rue St. Jacques/ à present rue St. Honoré Vis-à-vis le Palais Royal./ A PARIS/ aux adresses ordinaires/ AVEC PRIVILEGE DU ROI./ imprimé par petit blè
Stimmen
Erstdruck, 1765
SONATES/ POUR LE CLAVECIN/ Qui peuvent se jouer avec l'Accompagnement de Violon/ DEDIÉES/ A MADAME VICTOIRE/ DE FRANCE/ Par J. G. Wolfgang Mozart de Salzbourg/ Oeuvre I./ London. Price 3.fh 6.d/ Printed and Sold by R. BREMNER. at the Harp and Hautboy/ Opposite Somerset House in the Strand./ where may be had Opera 2.d and 3.d
Stimmen