"Sub tuum praesidium" Offertory in F for 2 voices and orchestra
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The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph, 1774
Abschrift, 1790-1810
No. 61/ II/ offertorium/ in F/ de beata/ Sub Tuum/ a/ Canto 1mo/ Canto 2do/ 2 Violinen/ Viola/ et/ Basso./ Wolfgang Mozart./ Altöttinger St./ Kapelle gehö[ rig]
Stimmen
Abschrift, 1820
M D C/ Offertorium/ sub tuum praesidium/ a/ Soprani Solo/ Violini/ Viola/ Basso/ et Organo/ v/ W. A. Mozart
Stimmen
Abschrift, 1840
Offertorium/ für/ II Sopran (:Solo:)/ &/ Streichquartett./ Mozart
Stimmen: 13 S.
Abschrift, 1850
Offertorium/ Sub tuum praesidium/ für Sopran und Tenor–Solo/ von/ W. A. Mozart./ [L. v. Köchel:] Aufgefunden im Benedictinerstifte Göttweig in U. Östr., übrigens/ bekannt in München. K.
Partitur: 9 S.
Abschrift, 1860
Partitur
Abschrift, 1861
Offertorium:/ Sub tuum paesidium:/ Duett für Sopran u. Tenor/ 2 Violinen, Viola, Bass und Orgel/ von/ W: A: Mozart
Partitur
Abschrift, 1900
Stimmen
Abschrift
Stimmen
Abschrift
Offertorium/ Duetto/ Sub tuum praesidium/ für Sopran und Tenor–Solo, 2 Violinen/ Viola/ Violon, Violoncell und Orgel/ 2 Oboen oder 2 Clarinetten, 2 Corni ad. lib:/ von/ W. A. Mozart.
Stimmen