"Benedictus sit Deus" Offertory in C
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The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph, 1768
di Wolfgango Mozart
Partitur: 14 Bl.
Abschrift, 1776
Offertorium/ pro omni tempore/ a/ 4 Voci,/ 2 Violini,/ 2 Flauti,/ 2 Corni,/ 2 Clarini,/ 2 Viole/ Timpani/ Violone con Organo./ Del Sig. Wolfgango Amadeo Mozart.
Stimmen: 23 Bl.
Abschrift, 1777
[Auf Cl. II–Stimme:] Offertorium/ de Ssm Trinitate/ a/ 4 Voci/ 2 Violini/ 2 Flauti/ 2 Corni/ 2 Clarini/ 2 Viole/ Violone/ e/ Organo. Del Sig:re Wolfgango Mozart/ Maestro di Concerto/ di S: A: R:/ a/ Salisburgo.
Stimmen: 24 Bl.
Abschrift, 1760-1780
Partitur
Abschrift, 1800
Offertorium/ pro omni tempore/ Benedictus sit Deus/ a/ 4 Voci/ 2 Violini/ 2 Viole/ 2 Flauti/ 2 Corni et Clarini/ Timpani/ con/ Organo./ W: A: Mozart.
Partitur
Abschrift, 1827
Stimmen
Abschrift, 1830
Offertorium/ pro omni tempore/ Benedictus sit Deus/ a/ 4. Voci, 2 Violini, 2 Viole 2. Flauti, 2 Corni et Clarini/ Tympani con Organo./ di/ Wolfgang Amadeo Mozart./ Partitura.
Partitur: 40 S.
Abschrift, 1851
Stimmen
Abschrift, 1840-1860
Offertorium Benedictus sit. Von W: A: Mozart
Partitur: 31 S.
Abschrift
Offertorium /: Benedictus sit Deus :/ Von W. A. Mozart.
Partitur