Concerto in D for clavier and orchestra or for organ and orchestra
sorted in:
Concerto in D for clavier and orchestra or for organ and orchestra
sorted in:
Between 1773 and 1791, Mozart composed 21 concertos for keyboard and orchestra, two concertos for more than one piano and orchestra (see also work group 14b), and two individual rondo movements. In addition, a considerable number of fragments survive, representing short drafts of concerto movements that Mozart abandoned. The Salzburg concertos were not written specifically for the pianoforte, but the intended keyboard instrument is not indicated since Mozart used the rather nonspecific term “Cembalo” for the solo instrument until 1788, and several types of instruments were available.
In Vienna, Mozart became acquainted with the new, technically advanced pianofortes by Gabriel Anton Walter. In performances of the four concertos KV 413–415 and KV 449, the woodwinds are not obligatory. All further concertos employ woodwinds in manifold constellations. Shortly after 1800, all of Mozart’s keyboard concertos (except the Concerto in C, KV 246) were available in printed editions, reflecting their extraordinary popularity. Several concertos were expressly composed for Mozart’s students, particularly Barbara Ployer (KV 449, KV 453, and probably KV 488), or for female virtuosos like Louise-Victoire Jenamy (KV 271) or Maria Theresia Paradis (KV 456). While he usually improvised his own cadenzas and lead-ins, Mozart provided a large number of written cadenzas for his sister Maria Anna and his students (see Anhang G).
Autograph, 1773
Concerto per il Clavicembalo del Sgr. Cavaliere Amadeo Wolfgango Mozart nel Decembre 1773
Partitur: 54 Bl. (107 beschr. S.)
Abschrift, 1760-1800
Concerto in D/ à/ Due Violini/ Due Oboe/ Due Corni/ Flauto/ Viola/ Fagotto/ et/ Basso/ Del Sig: Amad: Mozart.
Stimmen
Abschrift, 1760-1800
Concerto in D/ per il/ Clavi=cembalo/ 2 Violini/ 2 Oboe/ 2 Corni/ 2 Trombe/ Tympani/ Viole/ è/ Basso./ Del Sig:re Amadeo Wolfgango Mozart
Stimmen
Abschrift, 1760-1800
10./ Concerto/ pour le Pianoforte./ avec grand Orchestre/ del Sigre A. W. Mozart.
Stimmen
Abschrift, 1760-1800
Stimmen
Abschrift, 1760-1800
Stimmen
Abschrift, 1800
Concerto/ v. W. A. Mozart/ Clavicembalo.
Stimmen: 35 S.
Erstdruck, 1785-1786
Premier/ CONCERTO/ Pour le Clavecin, avec Accompagnement/ de deux Violons, Alto, Basse,/ Hautbois, Flûte et Cors ad Libitum./ COMPOSÉ/ PAR AMEDÉE MOZART./ Prix 6.#/ N.o 14. DU JOURNAL DE PIECES DE CLAVECIN,/ PAR DIFFERENS AUTEURS./ Prix de l'Abonnement pour les 12 Numeres 24.# pour Paris et 30.# pour la Province franc de Port./ A PARIS/ Chez M.r Boyer, Rue de Richelieu, à la Clef d'Or, àu Passage de l'ancien Caffé de foy./ Chez Mad.e Le Menu, Rue du Roule, à la Clef d'or.
Stimmen
Frühdruck, 1785-1786
grand/ Concert/ pour le/ Clavecin/ No. 4/ Copié apres le Journal de pieces/ de Clavecin de Mr. Boyer à paris/ Composè par/ Mozard/ se vends chez le Sieur Schott/ Graveur de la Cour/ à Mayence.
Stimmen: 39 S.
Frühdruck, 1801
Concerto/ pour/ Piano–Forté,/ avec accompagnement d'orchestre/ composé par/ W. A. Mozart.
Stimmen: 15 S.