Concerto in E flat
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Between 1773 and 1791, Mozart composed a total of 21 concertos for piano and orchestra, two concertos for two or three pianos (see Work Group 14b), and two standalone rondo movements. In addition, there is a considerable number of mostly short fragments of concerto movements that Mozart abandoned. The Salzburg concertos were not yet composed for the fortepiano, and the intended keyboard instrument is not specified; various types of instruments—organ, harpsichord, tangent piano—were available. Up until 1788, Mozart used the general term "harpsichord" (*Cembalo*) for the solo instrument. In Vienna, Mozart became acquainted with the technically advanced fortepianos made by Gabriel Anton Walter. In performances of the four concertos K. 413–415 and K. 449, woodwinds are not mandatory. In all other Viennese concertos, woodwinds are employed in many different configurations. By shortly after 1800, all of Mozart’s piano concertos (except for the Concerto in C, K. 246) had been published, which attests to their extraordinary popularity. Several concertos were specifically composed for Mozart’s female students, especially Barbara Ployer, or for virtuosas such as Louise-Victoire Jenamy and Maria Theresia Paradis. While Mozart usually improvised cadenzas and lead-ins, he wrote out a large number of them for his sister and for his students (see Appendix G).
Autograph, 1785
Concerto per il Cembalo di Wolfgango Amadeo Mozart/ vienna il 16 Dec:/ 1785
Partitur: 57 Bl. (113 beschr. S.)
Abschrift, 1800
Concerto in Es/ per/ il Forte Piano/ Accompagnato/ a/ Due Violini/ Un Flauto/ Due Clarinetti in B/ Due Fagotti/ Due Corni in Es/ Due Clarini in Es/ Viole di Alto/ Timpani in Es/ Basso è Violoncello/ 2) del Sig. W: A: Mozart.
Partitur: 128 S.
Erstdruck, 1800
No. 6 des/ Des six grands concertos/ pour le/ PIANO-FORTÉ/ composés par/ W. A. MOZART,/ et respecteusement dédiés/ à/ S. A. R./ le Prince/ Louis Ferdinand/ de Prusse/ par l'éditeur._/ [links:] N.o 1415-20] Oeuvre 82. [rechts:] Prix fl. 3._/ Edition fait d'après la partition en manuscrit./ A Ofenbach s/m, ches [sic!] J. André.
Stimmen
Frühdruck, 1800
No. 4 des/ Six grands concertos/ pour le/ PIANO-FORTÉ/ composés par/ W. A. MOZART,/ et respecteusement dédiés à/ S. A. R./ Le Prince Louis Ferdinand de Prusse/ par l'editeur._/ [links: N.o 1115-20] Oeuvre 82. [rechts: Prix fl. 3._]/ Edition faite d'après la partition en manuscrit./ A OFFENBACH sur le Mein,/ chez Jean André.
Stimmen: 60 S.
Frühdruck, 1801
Concert pour le pianoforte,/ avec Accompagnement/ de 2 Violons, Flûte, 2 Clarinettes, 2 Bassons, 2 Cors, 2 Trompettes./ Timballes, Alto et Basse./ par/ W. A. Mozart/ No. 6
Stimmen
Frühdruck, 1802
Partitur
Abschrift, 1820-1840
Concert in Eb./ pour le Pianoforte avec accompagnement/ de 2 Violons Alto e Basse. Flute/ 2 Clarinettes 2 Bassons 2 Cors 2 Trompettes/ et Timballes/ par/ W: A: Mozart/ comp: 16 Decemb. 1785
Partitur: 134 S.
Frühdruck, 1852
W. A. Mozart's/ Klavier–Conzerte/ in Partitur./ Herausgegeben von einem Verein von Tonlünstlern/ und Musik–Gelehrten in Frankfurt a/M./ mit Bearbeitung/ der Orchesterbegleitung für das/ Klavier/ von/ F. X. Gleichauf.
Partitur
Frühdruck, 1856
Collection complète/ des/ 20 Concertos/ de/ W. A. Mozart/ pour/ Piano et Orchestre,/ mis en/ Partition/ par/ Henri Roubier/ Professeur de Piano à Paris.
Partitur
Abschrift, 1875
[Kopftitel?: ] Larghetto./ 2. Concerto/ di Mozart.
Partitur