KV Anh. A 47,03
“Ecco quel fiero istante”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns
Anh. A 47,03
KV Anh. A 47,02
KV Anh. A 47,04
KV Anh. A 47,03
Anh. A 47,03
“Ecco quel fiero istante”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns
sorted in:
Part-songs are non-contrapuntal musical settings for several voices, sometimes with accompaniment of a keyboard instrument or other instruments. Mozart only composed a small number of part-songs, mainly for private occasions in Vienna. The songs used at meetings of the Freemasons (see work group 31) stand between the part-song and the solo song because the last lines of the text are sung or repeated by a male chorus.
Autograph, 1783
N:3.
Partitur (Begleitstimmen)
Abschrift, 1800
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora/ Contessa Hortensia d'Hatzfeld/ e composti/ di/ Wolfgango Amadeo Mozart./ Partitura.
Partitur: 61 S.
Abschrift, 1843-1859
[Kopftitel?: ] Notturni
Partitur: 19 S.
Abschrift
Abschrift
Partitur
Abschrift
Zwey Original Terzetten/ ohne Begleitung/ von/ Wolfgang Amd: Mozart./ Aus dessen eigenhändiger Partitur copirt./ No 1. in F dur für 2 Soprani u Bass./ No 2. in B –für 2 Tenori u Bass./ Partitur
Partitur: 12 S.
Abschrift
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora Contessa/ Hortensia d' Hatzfeld/ Dal umilissimo Compositore Godofredo/ nobile de Jaquin
Partitur: 19 S.
Abschrift
Partitur: 3 S.
Abschrift
Stimmen
Abschrift
Terzetti di Mozart.
Stimmen