KV Anh. A 47,04
Anh. A 47,04
“Mi lagnerò tacendo”. Notturno (terzet) for two sopranos and bass with an accompaniment of two clarinets and basset horn
sorted in:
Part songs are non-contrapuntal musical settings for multiple voices, sometimes with keyboard or other instrumental accompaniment. Mozart composed only a small number of part songs, mainly for private occasions in Vienna. The songs used in Masonic celebrations lie somewhere between solo songs and part songs, as only the final lines are sung or repeated by a male chorus.
Autograph, 1783
Partitur (Singstimmen): 1 Bl.
Autograph, 1783
Partitur (Begleitstimmen)
Erstdruck, 1799
[Reihentitel:] Oeuvres de Mozart./ Cahier V./ contenant/ Trente Airs et Chansons/ pour le Pianoforte. [Umschlagtitel:] OEUVRES COMPLETTES/ de/ Wolfgang Amadeus Mozart/ Au Magasin de Musique de Breitkopf & Härtel/ à Leipsic. [Bandtitel:] XXX Gesänge/ mit/ Begleitung des Pianoforte/ von/ W. A. Mozart./ In der Breitkopf- und Härtelischen Musikhandlung/ in Leipzig./ V.
Stimmen
Abschrift, 1760-1800
IIIte Stimme/ N. 41/ Terzetto/ Mi lagnero tacendo/ del Sigre Mozart
Stimmen
Abschrift, 1800
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora/ Contessa Hortensia d'Hatzfeld/ e composti/ di/ Wolfgango Amadeo Mozart./ Partitura.
Partitur: 18 S.: 61 Bl.
Abschrift, 1820
[Kopftitel:] Terzet./ Mus. v. Mozart./ Text von Jäger
Klavierauszug: 3 Bl.
Abschrift, 1853-1859
[Kopftitel?: ] Notturni
Partitur: 19 S.
Abschrift
Motette in G Te invocamus o Jesu für 4 Singstimmen, Flöte Solo, 2/ Violinen, viola, 2 Clarinetten, 2 Hörner, Pauken, violon und Orgel. Thema/ von Mozart.
Stimmen
Abschrift
Terzett./ Die Zukunft./ a/ Canto Primo/ Canto Secondo/ et/ Basso con/ Organo./ del Sigr. W. A. Mozart.
Stimmen
Abschrift
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora Contessa/ Hortensia d' Hatzfeld/ Dal umilissimo Compositore Godofredo/ nobile de Jaquin
Partitur
