KV Anh. A 47,04 – “Mi lagnerò tacendo”. Notturno (terzet) for two sopranos and bass with an accompaniment of two clarinets and basset horn

by Internationale Stiftung Mozarteum

About Part songs

Part songs are non-contrapuntal musical settings for multiple voices, sometimes with keyboard or other instrumental accompaniment. Mozart composed only a small number of part songs, mainly for private occasions in Vienna. The songs used in Masonic celebrations lie somewhere between solo songs and part songs, as only the final lines are sung or repeated by a male chorus.

Work Relations

Part of

Publications

Sources

Autograph, 1783

Partitur (Singstimmen): 1 Bl.

Autograph, 1783

Partitur (Begleitstimmen)

Erstdruck, 1799

[Reihentitel:] Oeuvres de Mozart./ Cahier V./ contenant/ Trente Airs et Chansons/ pour le Pianoforte. [Umschlagtitel:] OEUVRES COMPLETTES/ de/ Wolfgang Amadeus Mozart/ Au Magasin de Musique de Breitkopf & Härtel/ à Leipsic. [Bandtitel:] XXX Gesänge/ mit/ Begleitung des Pianoforte/ von/ W. A. Mozart./ In der Breitkopf- und Härtelischen Musikhandlung/ in Leipzig./ V.

Stimmen

Abschrift, 1760-1800

IIIte Stimme/ N. 41/ Terzetto/ Mi lagnero tacendo/ del Sigre Mozart

Stimmen

Abschrift, 1800

Sei Notturni/ dedicati/ A Sua Eccellenza la Signora/ Contessa Hortensia d'Hatzfeld/ e composti/ di/ Wolfgango Amadeo Mozart./ Partitura.

Partitur: 18 S.: 61 Bl.

Abschrift, 1820

[Kopftitel:] Terzet./ Mus. v. Mozart./ Text von Jäger

Klavierauszug: 3 Bl.

Abschrift, 1853-1859

[Kopftitel?: ] Notturni

Partitur: 19 S.

Abschrift

Motette in G Te invocamus o Jesu für 4 Singstimmen, Flöte Solo, 2/ Violinen, viola, 2 Clarinetten, 2 Hörner, Pauken, violon und Orgel. Thema/ von Mozart.

Stimmen

Abschrift

Terzett./ Die Zukunft./ a/ Canto Primo/ Canto Secondo/ et/ Basso con/ Organo./ del Sigr. W. A. Mozart.

Stimmen

Abschrift

Sei Notturni/ dedicati/ A Sua Eccellenza la Signora Contessa/ Hortensia d' Hatzfeld/ Dal umilissimo Compositore Godofredo/ nobile de Jaquin

Partitur