KV Anh. A 47,05
“Luci care, luci belle”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns
Anh. A 47,05
KV Anh. A 47,04
KV Anh. A 48
KV Anh. A 47,05
Anh. A 47,05
“Luci care, luci belle”. Notturno (terzet) for two sopranos and bass with an accompaniment of three basset horns
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Part-songs are non-contrapuntal musical settings for several voices, sometimes with accompaniment of a keyboard instrument or other instruments. Mozart only composed a small number of part-songs, mainly for private occasions in Vienna. The songs used at meetings of the Freemasons (see work group 31) stand between the part-song and the solo song because the last lines of the text are sung or repeated by a male chorus.
Autograph, 1783
Partitur (Begleitstimmen): 3 Bl. (6 beschr. S.)
Abschrift, 1800
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora/ Contessa Hortensia d'Hatzfeld/ e composti/ di/ Wolfgango Amadeo Mozart./ Partitura. [Kopftitel?:] No. 6. Canzonetta componirt v. W. A. Mozart am 16. Juli 1788
Partitur: 5 S.: 61 Bl.
Abschrift, 1853-1859
[Kopftitel?: ] Notturni.
Partitur: 2 S.: 19 Bl.
Abschrift
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora Contessa/ Hortensia d' Hatzfeld/ Dal umilissimo Compositore Godofredo/ nobile de Jaquin
Partitur
Abschrift
Sei Notturni/ dedicati/ A Sua Eccellenza la Signora Contessa/ Hortensia d' Hatzfeld/ Dal umilissimo Compositore Godofredo/ nobile de Jaquin
Partitur
Abschrift
[Kopftitel?: ] W. A. Mozart
Partitur
Abschrift
W. A. Mozart/ Canzonette „Più non si trovano“/ für 2 Soprane und Bass, Begleitung 3 Bassetthörner/ nach einer authentischen Abschrift (Text von/ Mozart's Hand) im Besitz von Jul. André/ 1869 Kchl.
Partitur: 3 S.
Abschrift
Terzetti di Mozart.
Stimmen
Erstdruck, 1932-1933
Nr. 5 der Vorlage (Jacquin).
Partitur