"Venite, populi, venite" Offertory "de venerabili sacramento" in D
sorted in:
The Roman Catholic liturgy required a large number of musical settings beyond the mass. While the mass has a standardized text, the texts of the lesser church works were chosen according to the readings for the respective Sundays or feast days. Some of these texts were biblical or at least traditional sacred poetry, mostly in Latin, while others were newly created for these occasions. With few exceptions, Mozart’s lesser church works were written in Salzburg. These works belong to diverse traditions and consequently display great variety. Marian antiphons, for example, are vocal works addressed to the Blessed Virgin Mary and assigned to different occasions in the church year. In Salzburg, Marian antiphons were probably performed in special prayers during the Liturgy of the Hours rather than in vespers services.
Autograph, 1776
Offertorium de Venerabili etc: à 2 Chori. Salisburgo 1776:/ di Wolfgango Amadeo/ Mozart mp.
Partitur: 14 Bl.
Abschrift, 1787
Offertorium/ de/ Venerabili/ a/ II Cori/ con/ II Violini/ et/ Organo/ Del Sig. Wolfgango/ Mozart
Stimmen: 19 Bl.
Abschrift, 1800-1820
Partitur
Abschrift, 1837
Partitur
Abschrift, 1837
Offertorium/ da/ Venerabili Sacramento./ a 8 Voci reali, divisi in due Cori/ 2 Violini con Organo./ composto di/ Wolfg: Amadeo Mozart./ Partitura.
Partitur: 26 S.
Abschrift, 1800-1850
Venite populi/ Offertorio p. ogni tempo/ a 2. Cori/ del Sig:re V. A. Mozart
Partitur, Stimmen
Abschrift, 1850
Offertorium de sacramento venerabili/ Venite populi etc./ 2 Chori, 2 Violini cum Organo/ auctore celeberr. W. A. Mozart./ Partitura
Partitur: 16 S.
Abschrift, 1800-1900
Offertorium de sacramento venerabili./ Venite populi etc/ 2 Chori, 2 Violini cum Organo/ auctore celeberr. W. A. Mozart/ Partitura/ Für seinen werthen Freund,/ Schnyder von Wartensee, eigenhändig/ abgeschrieben, vom Sohne des Componisten/ W. A. Mozart.
Partitur
Abschrift
Stimmen
Erstdruck, 1873
Offertorium/ DE/ Venerabili/ Venite populi/ für zwei/ vierstimmige Gesangchöre/ und Orgel/ (2 Violinen ad libitum.)/ von/ W. A. Mozart/ (N.o 260 Köchel, Mozart-Verz.)
Partitur und Stimmen